Thursday, February 20, 2014
American zero
I'm ever so sceptic with documentaries. This one here; a failed (if we don't count the few million fans in South Africa) Detroit musician kills himself on stage and suddedly reappears, alive. It all does sound too good and amazing and fucked-up to be true, doesn't it? But like some South African said it: "We grew up believing he was one of the biggest stars in the world." Just fucken unreal. He never died, he only became forgotten. The corporate music industry head honchos robbed the money and left the musician to rot, basically.
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Once in a lifetime alone
Film critics don't like these. Or they won't admit that they do. The general public doesn't necessarily like them either, but ...

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