Wiser than men or wolf

Fuckers steal a goofy massive dog Buck to sell it to prospectors to utilize its strenght finding and transporting gold from Yukon. A very long way from home, unaccustomed to snow and ice, let alone open sky, the final frontier of earth sends Buck from one adventure to another. He's very much on his own in the wilderness, until he hits it off with another lone soul, an experienced frontiersman John Thornton (Harrison Ford). Based on Jack London's classic novel. The dog is entirely computer generated, a bit cheesy, but surprisingly likeable at that, and overall an entertaining family movie.

We all have blood on our hands

An Austrian farmer voices his opinion that he ain't too pleased with the values of fascism. For speaking his mind, he and his family are ostracized from their home village and things are worsening by the minute. He either has to join the Third Reich army in World War II or hide in the woods, thus possibly captured, executed. Three hours is a little excessive to tell the true story of Franz Jägerstätter,  a conscientious objector, but Terrence Malick keeps it interesting. And, as always, watching a Terrence Malick film, it's like watching hundreds of works of art in a row. Michael Nyqvist's and Bruno Ganz's last film.

Luton is a four-letter word

It's Luton, late 80s, the city like the rest of England is overrun by poverty and bigotry. It's not particularly easy for a Pakistani student Javed, a gifted writer, who is controlled by a stern traditional family and a hostile society. But once he discovers the music and words of Bruce Springsteen, he is in for a massive dose of self-confidence. In spite of bleak British environment that was delivered brilliantly, it's still a rather uplifting and heartwarming a movie.

Under the hammer of malignancy

The Grudge: The Untold Chapter is just a collection of jumpscares caused by a super haunted house on 44 Reyburn Drive, Pennsylvania. There's a Japanese spirit - or curse - that terrorizes people and families in connection with the residence. Nothing is interesting or entertaining, it's just a terribly bad movie.

Fear is the little death that brings total obliteration

The year is 10191. The people in the known universe are fighting over a precious substance, spice called melange, that extends life and expands consciousness, and it's vital to space travel. Denis Villeneuve will have his say to the story later this year. The David Lynch cut, cult movie or not, is surreal and somewhat confusing with crappy and unintentionally funny special effects.

Friends are the family you choose

An orphan dude with a Down syndrome escapes from a nursing home and ends up in the company of a poacher, who is also on the run. The two baddies on the road make a pretty fun bunch and their adventure across the marshlands of North Carolina an eventful one. Can't help it though that it's a bit too naive and goofy. A well-meaning little thing nevertheless.

Home crap home

Sometimes I wish these kind of movies came with a laughter track, so you could at least pretend to laugh at the right places. A Finnish remake of the 1986 American film The Money Pit, starring Tom Hanks and Shelley Long, that already was a remake.

The bruises left behind

Tinder matches are on a date. While returning home they're pulled over by a police officer who gets killed and the couple have a nationwide manhunt on their back. However it's not really a high-speed chase across the nation, they more or less leisurely drive around Kentucky and New Orleans, take occasional breaks and casually chat what to do next. And the people, obviously, support them because killing cops is so nice and wonderful.

The jackrabbit always wins

It's like a fox hunt, but humans have replaced the foxes. Group of people are kidnapped, left in the forest and rich liberal elite start hunting them for sport. A dark comedy that starts out great, but unfortunately uses too much of its ammo midway, still a rather great and fresh approach to survival horror.

Should the mountain crumble to the sea

From hero to zero. Security guard Richard Jewell saves dozens of lives from an exploding bomb at the 1996 Olympics in Atlanta, but the incompetent fucks at the FBI incomprehensibly treat and profile him as the primary subject. Clint Eastwood's take on the case is excellent, without too much fuzz and nothing over the top, he keeps the story going forward, with unwavering intensity and top notch acting by Paul Walter Hauser, Sam Rockwell and Kathy Bates.

Shores in flames

Well, there are not that many films or TV shows that make me laugh out loud, but Norsemen does that, numerous times. Season # 3, unfairly only six 30 minute episodes, but what a fucken hoot.

Full of misery from top to bottom

A young woman wants to get her revenge for sickening stuff a few British officers did to her family. Travelling with a local guide, she goes through ruthless Tasmanian wilderness and hopes to find the murderous bastards. A low-budget indie that nourishes itself on disgusting shit as the hunt itself, criss-crossing across the island, has a bit of an aimless feel to it, but above average revenge flick nevertheless.

First dig two graves

A James Bond movie directed by John Glen in 1981, starring Roger Moore as the agent 007, Carole Bouquet as the Bond girl Melina Havelock, Desmond Llewelyn as 'Q' (the head of Q division), Lois Maxwell as Miss Moneypenny (MI6 secretary) and Julian Glover as Kristatos, the main antagonist. Title song performed by Sheena Easton. There's a missing British vessel with secret nuclear intelligence called A.T.A.C. (Automatic Targeting Attack Communicator) underneath the water and James Bond has to get there first. And it involves lots of driving, diving, skiing and rock climbing.

Happiness loves company

The Jesus Rolls tries its dearest, but Big Lebowski's legacy is far too great to be tarnished. It's a shame though, I'm sure John Turturro's intentions were sincere and good, but this is all bollocks and embarrassing. Jesus Quintana repeats the phrases he already uttered in Big Lebowski as he and his buddy Petey (Bobby Cannavale), both on parole, are involved in petty crimes. A sad attempt coat tailing a cult movie.

Even the darkest night will end and the sun will rise

A day in the lives of three police officers in a working-class suburb of Montfermeil, Paris. They are head to head with the underworld, try to maintain peace with the influential community leaders and tread a tightrope between the demands of the law and real life. All hell breaks loose when one arrest goes tragically wrong. A pretty hard hitting drama of police brutality and racism.

Hope is a dangerous thing

The cinematography is probably the greatest that I have ever seen. The film, it looks absolutely amazing and the way it is executed - like it was done all in one shot - is magically cool. It's WWI, couple of soldiers has an important message to deliver to the troops in the frontline and it's a bloody dangerous adventure. Easily one of the best movies I've seen all year and more weight to the fabulous cinema of 2019 (alongside Joker, The Irishmen, Once Upon a Time in Hollywood, Ford v Ferrari and Parasite).

When the lion is hungry, it eats

 

After Aladdin, this is more trademark Guy Ritchie. In fact, it's back to the roots, somewhere he's truly good at, the crime shit; Lock, Stock and Two Smoking Barrels and Snatch as the reference points. Michael Pearson (Matthew McConaughey) is the new cannabis baron in London, and lots of people - motivated either by greed or revenge - try to outwit him, his wife Rosalind (Michelle Dockery) and his secretatary/bodyguard Ray (Charlie Hunnam). The outcome is terribly entertaining and cool, bits violent, but with plenty of laughs. A great cast, where particularly Hugh Grant and Colin Farrell stand out.

They are all princesses

Guy Ritchie's take on the tale from One Thousand and One Nights. He hasn't done too much to change the tradition, it still is a love story and a musical fantasy, but of course there's money well spent on modern makeover and the eastern magic is more sparkling than ever before. And the colourful extravaganza is absorbing to say the least.

Everything but the spine

This is the invisible man as it was originally (courtesy of H. G. Wells) intented: the devil incarnate. People think Cecilia Kass is losing her shit, but she's being tormented by her sicko husband that no one can see. Good bloody horror, plenty of brilliant scares and truly a stunning performance by Elisabeth Moss. A few plotholes and logic issues here and there, but luckily plenty of hysterically wicked scenes as well.

A seed has to rot in the ground

Apartheid South Africa was a racist fuck. All the subversive people were imprisoned. That included couple of left-wing leaflet bombers who, the minute they got locked in, plan a way to escape. One of the better Daniel Radcliffe's more mature roles as a mastermind of a true life breakout that looked like it was doomed to failure.

To die is to be human

A renowned and rewarded - also feared - journalist Lloyd Vogel of Esquire magazine is given an assignment out of spite to interview a children's TV show host and probably the nicest man on earth, an angel in disguise, Fred Rogers. It doesn't take long until the seasoned journalist's skin is softened to the nice old man's positive view of the world, his insights, and, in a way, things are reversed. The beautiful story is contagious and inspirational. The people in the lead (Tom Hanks and Matthew Rhys) and others in the cast are downright amazing. Perhaps the biggest feelgood and thought-provoking surpise of the year.

Glass earth harmony

It's just me prob'ly, but I've never understood the Seth Rogen type of humour or whatever comedy he and his posse (Judd Apatow, James Franco, Michael Cera, Jonah Hill, Jay Baruchel) represents. It's playing it safe thus it's hopelessly trivial and, on a more direct note, stupid and not funny. Long Shot suits the bandwagon. A goofy journalist ends up writing the speeches of the Secretary of State and it's disgustingly canned laughter.

They say this house is theirs

Every once in a while I drift into a conversation of contemporary horror movies worth a damn and I always mention Alejandro Amenábar's The Others. It was released in 2001 already, but it's still as fucking good as it ever was. Lady of the manor Grace (Nicole Kidman), totally cut off from the world, is losing her marbles because apparently her and her children's mansion is occupied by ghosts or ghastly macabre witches. Traditional horror at its finest.

Post-traumatic exorcism

Operation Abilene was one of the bloodiest battles in the entire Vietnam War. Fifty years later, they are seeking justice for one soldier whose effort and courage saved a many lives. Private Pitsenbarger - a legend among troops - should deserve the Medal of Honor, the highest declaration of war, posthumously. The case and investigations within are given to a hotshot Pentagon staffer who interviews, albeit reluctantly at first, the people how knew and fought with William Pitsenbarger. And it's reminiscences of the war all the way to the end. Bit of a bore and airbrushed sentimental bullshit, to be honest, but a pretty cool cast of William Hurt, Christopher Plummer, Samuel L. Jackson, Ed Harris and Peter Fonda (his last movie) at least.

Massively into swastikas

Johannes 'Jojo' Betzler is a 10-year old wee lad on the verge of becoming the bestest loyal little nazi in Jungvolk. Trouble is Jojo is a bit too nice for the third reich business and having an imaginery friend Adolf for company makes him an outcast of society and not in harmony with the uniform nazi Shangri-La. Not the most ground-breaking of satires, courtesy of Taika Waititi (Flight of the Conchords, Hunt for the Wilderpeople), but fun moments with serious undertones, witty dialogue and overall entertaining cinema.

Forgotten even to the sea

I think Robert Eggers' previous The VVitch (2015) was overrated - I'd have to watch it again to be sure, but if my memory serves me right, it was boring. As we observe couple of lighthouse keepers in a desolate island, The Lighthouse has that, it can be slow-moving and tiresome, it feels pointless at times, but then again it's splendidly wrapped around delirium tremens, insanity, figments of imagination and bona fide chaos. Still leaves a little disappointed aftertaste.

It lives on

Mid-19th century, Oxford University has undertaken an inventory of entire English language. They chase and hunt down every single word of all centuries of writing basically by reading every book, studying the fuck out of every word. And that's pretty much to story of this movie, compiling the first edition of the Oxford English Dictionary. Interestingly they chose to cast couple of odd choices, namely Mel Gibson (Mad Max, Braveheart, Lethal Weapon) and Sean Penn (Mystic River, U Turn, The Thin Red Line) in the lead (their first time in a movie together), but perhaps their charisma and presence were required to see the slow-moving drama through.

The Burger King of badness

Skizm is a reality game of death. Coder - and a nerd - Miles (Daniel Radcliffe), guns bolted into his hands, is forced to join the game and he's scared out of his tits. Guns Akimbo merely copycats the films that are making fun of violence and slaughter of people such as Shoot 'em Up, Kingsmen, Kick-Ass and Deadpool, but has none of their charm and laughs.

It came from the stars

It gets crazy and spooky after a meteorite hits the ground of alpaca farmer's house and just mysteriously disappears. Off-beat - literally lovecraftian - horror bizarre. Colourful, wicked and entertaining, Nicolas Cage is made for these.

Weekend rodeoing in the desert

Bruce Springsteen puts it brilliantly: "Westerm Stars is a 13-song meditation on the struggle between individual freedom and communal life.  The are two sides of the American character. One is transient, restless, solitary. But the other is collective and communal, in search of family, deep roots, and a home for the heart to reside. These two sides rub against one another always and forever in everyday American life." Never been much a fan of his music, and the film doesn't change it, but I've always appreciated Bruce Springsteen's perseverance, the assertiveness of his character.  The movie is a live concert performance of him - backed up by a band and full orchestra - singing songs from his album "Western Stars" in his own 100-year old barn. It's brilliant, shot and performed to perfection.

Pulling tongues out

FBI and NYPD are pissing in the wind while trying to put an end to the illegal fentanyl trade organized by Polish mafia in New York. Pete Koslow (Joel Kinnaman) is caught in a crossfire from all sides. It's a shitty situation, but miles away from the ludicrous story that wouldn't survive even a minute in a real world.

Domestic struggles and joys

A rather brilliant story of four sisters and their passion for literature, art, music and acting. Normally I'd throw these kind of movies to the wolves, but heard some good things about it, so gave it a go. Saoirse Ronan, Emma Watson, Florence Pugh and Eliza Scanlen all dazzle as lovely little angels. Despite a fair share of sorrow, one of the best feelgood movies of the year.

Rich people are naive

Family Ki are proper shitheads. They are desperately poor and lazy cunts, however ingeniously infiltrate into the vicinity of a wealthy family and their home that helds a pretty ghastly secret. This fucker - Parasite - has won awards everywhere. A refreshing cut to the world of cinema, and it's a fun crazy story, but in all honesty, I'd handed the Academy Award to either The Irishman, Joker or Once Upon a Time in Hollywood, so it's not as mindblowing as advertised.

Dogs on the leash

Ken Loach has done quite a lot of these movies where a working class family copes with the perfect yet brutal everydayness. Ricky is a delivery driver and Abbie is a home care nurse, both working 14 hours a day to feed their children and make do. It's all hardship. Great emotional drama.

See you at the next funeral

Japan are eager to become a world power. The attack on Pearl Harbor, the battle of Midway and American patriotism puffed up into one big humbug. What to expect, it's a Roland Emmerich (Independence Day, The Patriot) movie, it tries to be bigger and better, but everything looks plastic and fake.

Everything stays in the family

A soldier with a little decency left, above the macho bullshit of the rest of his squad, suspects something's not right in the deaths of a few Afghan people, soldiers and otherwise. His commanding officer simply puts "We kill people, that's what we do", but are they guilty of a war crime? Based on true events, below average garbage and little of the war itself.

Ya ya ding dong

Catches the tackiness of the Eurovision Song Contest and pop music in general extremely well and utilizes it with the wonderful comic presence of Will Ferrell. Unfortunately it's not all fireworks, the highlights are at the first and last 15 minutes of the film.

A pack of vultures at a feast

Screams Agatha Christie loud and clear. There's a murder with multiple suspects and the police are investigating. A crazy-cool cast of Jamie Lee Curtis, Daniel Craig, Chris Evans, Toni Collette, Don Johnson, Michael Shannon, Christopher Plummer and M. Emmet Walsh! An intriguing murder mystery that, to much delight, turns into a brilliant dark comedy and everybody seems to be having a wonderful time.

An unmade bed of a man

I'm glad it wasn't just a sordid love affair, or love triangle, like it was first written. Turns out there was a bigger - juicier - story hidden behind the forbidden lust. And it truly made a difference. And the strong cast of Jeff Bridges, Callum Turner, Kate Beckinsale, Pierce Brosnan and Kiersey Clemons as well.

He loved to saw the women

This is disturbed. And grotesque. Reeks of putrefaction and gore. A based-on-a-true-story serial killer flick set in the 70s Hamburg, Germany. Zum Goldenen Handschuh is a run-down bar to all the hopeless alcoholics in the St. Pauli district, among them Fritz Honka, a hobbit-looking weirdo who has the taste for assaulting women, chopping them up and keeping all the good bits. This is a movie to get easily disgusted with, but you kinda get drawn into its graphic brutal atmosphere.

Nothing to gain, everything to lose

This goes back to Iraq's weapons of mass destruction that didn't exist. U.S. and U.K. waged war against them on false pretense, blackmail and lies, therefore they should be prosecuted. There was a whistleblower in the U.K. intelligence and she was under enormous stress as she coped with the burden of righteousness. The film's based entirely on a true story and the political thriller is executed well.

Brushing teeth with urine

A teenager turns into a superhero and everything's a bit goofy and funny. It's wild fantasy humbug and, really, it's rather alright. A children's movie tho.

The hardest part is staying free

John Brennan's wife is thrown into a prison for murder. The husband seems to be the only one certain of her innocence, but does he has it in him, the schoolteacher, to break her free from incarceration? It's a damn solid thriller with truly nail-biting last 45 minutes. Directed by Paul Haggis in 2010.

First thing you'll hear is your own scream

It's produced by some serious cash, so it looks fine and thence is somewhat entertaining. But unfortunately, for a parody of zombie movies, it's fucken not funny. A paper thin story with awfully infantile jokes.

Murder is murder, no matter who you are

Couldn't be more topical. In real life right now yankee cops have been caught killing and harrassing civilians as they please and their actions have contributed to hundreds of worldwide mass demonstrations against police brutality. Same shit here, crooked bullshit cops think they are the greatest beings on the planet and think they can do anything without consequences. Not that great a film this and the truth is lots more fucked and deranged than the fictional shit, but well worth the time and I'm sure films of this nature start popping up thousandfold in near future.

A hell of a machine

They are rare, sports drama let alone car racing movies worth a mention. Ron Howard's Rush (2013) was cool and this one, James Mangold's Le Mans 66 (or Ford v Ferrari) is damn near perfect. Carroll Shelby (Matt Damon) and Ken Miles (Christian Bale) are buddies and motorheads running on speed and gasoline. And, ahead of 24 Hours of Le Mans, the world's greatest racing event, they've teamed up to fire up the competition between Ford and Ferrari. Based on actual events and people. Wonderful movie.

We don't end

The director's cut, it lasts three hours, it's rather frustrating if you aren't into Stephen King adaptations. And Doctor Sleep is just that, at times enticing and cool, and sometimes just ridiculously corny. The story is about gypsylike vampire freaks who eat screams and drink pain, and are particularly drooling over people - their greatest enemy - who 'shine'.

I think we oughta bury him

Funny how memory tricks you. The Wild Bunch (1969) was easily my favourite childhood western, watched it dozens of times in the yesteryear. I had prolonged watching the movie for so long because I knew it so well already. Evidently I had made my own The Wild Bunch in my mind because it didn't resemble, apart from the opening scene, anything like this. Nevertheless, great as hell a western.

Slipping out and sneaking in

There's nothing wrong with this. Took it for a rainy day from Netflix, a damn solid thriller. Ageless. It's one of those classics that once you start watching it, you just have to finish it. It grabs you.

The untainted cradle of the heavens

A James Bond movie directed by Lewis Gilbert in 1979, starring Roger Moore as the agent 007, Lois Chiles as the Bond girl Dr. Goodhead, Bernard Lee as Bond's superior 'M' (the head of MI6), Desmond Llewelyn as 'Q' (the head of Q division), Lois Maxwell as Miss Moneypenny (MI6 secretary) and Michael Lonsdale as Hugo Drax, the main antagonist, and Richard Kiel as his henchman Jaws. Title song performed by Shirley Bassey. A shuttle is hijacked in mid-air and James Bond is called to investigate. The adventure travels from California to Venice and Rio and, obviously, outer space. Absolutely routine stuff for the agent.